'Ecstatic about seaweed': eighteenth-century women tourists' scientific collecting with Dr Emma Gleadhill

Saturday 15 Mar 2025, 2:00 PM – 3:30 PM

‘The Miss Beauforts were ecstatic about the seaweed’, is a comment in a continuation of Jane Austen’s unfinished novel, Sanditon. These ladies are two gold-digging sisters vacationing at the up-and-coming seaside resort of that name. The passage continues: ‘Seaweed, the Miss Beaufort’s insisted, was a very definite attraction at a resort; one could spend happy hours collecting prize pieces; one could trace them or press them and arrange them most artistically’. For the Beauforts, seaweed collecting was not just a scientific activity, but also a social one that could be enlisted in their search for an eligible bachelor. The sisters were after a man who ‘would not mind sopping his shoes occasionally in sea water to bring us back a few trophies’. Although not every member of their party liked the ‘prospect of travelling home in carriages full of seaweed’. 

Jane Austen lived prior to the professionalisation and institutionalisation of science, marked by the coinage of the term ‘scientist’ by William Whewell in 1833. The early scientists, or ‘natural philosophers’, of her period wanted to promote their work, so they encouraged women to become involved, albeit in a ‘polite’ capacity. Many women travellers therefore attended scientific lectures, filled their bags with rocks and seeds, and roamed the shores of beaches in search of shells and seaweed. Some, like the Beauforts, were more interested in specimen collecting as a social and aesthetic activity, others sought to become actively involved in scientific endeavour. In this talk, we will take a brief look at three such women. 

Dr Emma Gleadhill is a social and cultural historian, and watercolour artist, based in Melbourne, Australia. She is specifically interested in women’s history, travel, and accessing new dimensions of the female experience through souvenir culture. Emma's first academic monograph, Taking Travel Home: The Souvenir Culture of British Women Tourists, 1770-1830, was published by Manchester University Press in their ‘"Gender in History"’ series in April 2022. Her book uncovers the souvenir culture British women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship, and science. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives. 

Your ticket includes tea or Market Lane coffee served before the presentation, and time to browse our exclusive range of books, gifts, and homewares at TJC Emporium.

This event is presented on-site at The Johnston Collection. Please see your ticket for details. NOTE: Tickets for this event do not include access to our house museum, Fairhall. Guided tours of the current exhibition can be booked separately.

This program is generously supported by The Sir Wilfred and C H (Roger) Brookes Charitable Trust.

Brookes Centre Transparent Black CMCYK 300dpi (1)_edited

Image: James Stow after Edward Francis Burney,
The Proscenium of the English Opera House in the Strand, (late Lyceum.) as it appeared on the Evening of the 21st March 1817, with Walker's Exhibition of the Eidouranian, 1817.

Book Tickets

Adult $25

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Concession $23.00

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Tertiary/Secondary Student $10

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